The Lighter Classics in Music by David Ewen
Always visible content "The Lighter Classics in Music" by David Ewen is a comprehensive guide to notable musical works characterized by their lighter themes, written in the early 1960s. This collection features an exploration of compositions by 187 different composers, spanning various genres and styles, aiming to make classical music more accessible and enjoyable. The book likely touches on the significance of these compositions and composers in the context of musical history, highlighting their contributions Hidden checkbox to control the toggle Clickable label to show more The extra text that is initially hidden Clickable label to show less to lighter orchestral and vocal music. The opening of this work introduces several notable composers, beginning with Joseph Achron, who is known for his evocative "Hebrew Melody." This is followed by descriptions of other composers, such as Adolphe-Charles Adam, celebrated for his opéra-comique, and Richard Addinsell, famed for the melodious "Warsaw Concerto." Each segment provides insights into the lives and notable works of these composers, illustrating their impact and the enduring popularity of their lighter compositions in concert repertoires. The text also references the origins and themes of specific pieces, establishing a foundation for the exploration of lighter classical music throughout the remainder of the guide. (This is an automatically generated summary.)
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Chapters (65)
- Chapter 1 Ch.1
- introduction, random phrases bring up the image of various attitudes and Ch.2
- 1884. He acquired his musical training in Prague and with Felix Mottl in Ch.3
- Introduction there appear fragments of the first dance; these same Ch.4
- 1894. He began his music study in Kansas City: piano with his mother; Ch.5
- 1803. As a young man he was sent to Paris to study medicine, but music Ch.6
- 1918. Early music study took place with private piano teachers, and Ch.7
- 1833. He was trained in the sciences, having attended the Academy of Ch.8
- introduction or coda, originated as a piece for piano duet: the Ch.9
- 1886. While attending the Royal Academy of Music in London, where he Ch.10