Renaissance in Italy, Volume 1 (of 7) by John Addington Symonds

The Project Gutenberg eBook of Renaissance in Italy, Volume 1 (of 7) This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Renaissance in Italy, Volume 1 (of 7) Author: John Addington Symonds Release date: March 18, 2005 [eBook #15400] Most recently updated: December 14, 2020 Language: English Other information and formats: www.gutenberg.org/ebooks/15400 Credits: E-text prepared by Ted Garvin, Turgut Dincer, Leonard Johnson, and the Project Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) *** START OF THE PROJECT GUTENBERG EBOOK RENAISSANCE IN ITALY, VOLUME 1 (OF 7) *** E-text prepared by Ted Garvin, Turgut Dincer, Leonard Johnson, and the Project Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) RENAISSANCE IN ITALY The Age of the Despots by JOHN ADDINGTON SYMONDS Author of _Studies of the Greek Poets_, _Sketches in Italy and Greece_, etc. 'Di questi adunque oziosi principi, e di queste vilissime armi, sarà piena la mia Istoria' Mach. 1_st_. _Fior_. lib. i. New York Henry Holt and Company 1888 TO MY FRIEND JOHN BEDDOE, M.D., F.R.S., I DEDICATE MY WORK ON THE ITALIAN RENAISSANCE. AUTHOR'S EDITION AUTHOR'S NOTE TO THE AMERICAN EDITION. Though these books taken together and in the order planned by the author form one connected study of Italian culture at a certain period of history, still each aims at a completeness of its own, and each can be read independently of its companions. That the author does not regard acquaintance with any one of them as essential to a profitable reading of any other has been shown by the publication of each with a separate title-page and without numeration of the volumes, while all three bear the same general heading of "Renaissance in Italy." PREFACE. This volume is the First Part of a work upon the 'Renaissance in Italy.' The Second Part treats of the Revival of Learning. The Third, of the Fine Arts. The Fourth Part, in two volumes, is devoted to Italian Literature. Owing to the extent of the ground I have attempted to traverse, I feel conscious that the students of special departments will find much to be desired in my handling of each part. In some respects I hope that the several portions of the work may complete and illustrate each other. Many topics, for example, have been omitted from Chapter VIII. in this volume because they seemed better adapted to treatment in the future. One of the chief difficulties which the critic has to meet in dealing with the Italian Renaissance is the determination of the limits of the epoch. Two dates, 1453 and 1527, marking respectively the fall of Constantinople and the sack of Rome, are convenient for fixing in the mind that narrow space of time during which the Renaissance culminated. But in order to trace its progress up to this point, it is necessary to go back to a far more remote period; nor, again, is it possible to maintain strict chronological consistency in treating of the several branches of the whole theme. The books of which the most frequent use has been made in this first portion of the work are Sismondi's 'Républiques Italiennes'; Muratori's 'Rerum Italicarum Scriptores'; the 'Archivio Storico Italiano'; the seventh volume of Michelet's 'Histoire de France'; the seventh and eighth volumes of Gregorovius' 'Geschichte der Stadt Rom'; Ferrari's 'Rivoluzioni d' Italia'; Alberi's series of Despatches; Gino Capponi's 'Storia della Repubblica di Firenze'; and Burckhardt's 'Cultur der Renaissance in Italien.' To the last-named essay I must acknowledge especial obligations. It fell under my notice when I had planned, and in a great measure finished, my own work. But it would be difficult for me to exaggerate the profit I have derived from the comparison of my opinions with those of a writer so thorough in his learning and so delicate in his perceptions as Jacob Burckhardt, or the amount I owe to his acute and philosophical handling of the whole subject. I must also express a special debt to Ferrari, many of whose views I have adopted in the Chapter on 'Italian History.' With regard to the alterations introduced into the substance of the book in this edition, it will be enough to say that I have endeavored to bring each chapter up to the level of present knowledge. In conclusion, I once more ask indulgence for a volume which, though it aims at a completeness of its own, is professedly but one part of a long inquiry. CONTENTS.