The History of Modern Painting, Volume 2 (of 4) by Richard Muther
CHAPTER XVIII
THE MILITARY PICTURE
Why the victory of modernity on the Continent came only by
degrees.--Romantic conceptions.--Æsthetic theories and the
question of costume.--Painting learns to treat contemporary
costume by first dealing with uniform.--France: Gros, Horace
Vernet, Hippolyte Bellangé, Isidor Pils, Alexander Protais,
Charlet, Raffet, Ernest Meissonier, Guillaume Régamey, Alphonse de
Neuville, Aimé Morot, Edouard Détaille.--Germany: Albrecht Adam,
Peter Hess, Franz Krüger, Karl Steffeck, Th. Horschelt, Franz
Adam, Joseph v. Brandt, Heinrich Lang 92