Historic Paris by Jetta Sophia Wolff

LES PONTS (THE BRIDGES) Once more to the south-western corner of this “bonne ville de Paris.” The first bridge over the Seine within the city boundary, beginning at this end, is the Viaduct d’Auteuil (_see_ p. 320). The second is Pont-Mirabeau, dating from the last decade of the nineteenth century. Pont de Grenelle is of earlier date (1825). The Statue of Liberty we see there (Bartholdi) is a replica in reduced size of that sent to New York. Pont de Passy first spanned the Seine as a mere footway at the time of the Exhibition of 1878, rebuilt in its present form in 1906. Pont d’Iéna has a greater historic interest. Its construction was set about in 1806. It had just been finished when in 1814 Blücher and the Allies proposed to blow it up. Royal influence prevailed to save it. It was called thenceforth till 1830 Pont des Invalides. Pont de l’Alma, that emphatically Second-Empire bridge with its four Napoléonic soldiers, a Zouave, an infantry man, an artillery man, and a chasseur, was built between the years 1854-57. It was still unfinished when on April 2nd, 1856, Napoléon III and a sumptuously accoutred cortège passed across it to present flags to the regiments returned from the Crimea. Pont-des-Invalides was built in 1855. [Illustration: LE PONT DES ARTS ET L’INSTITUT] The first stone of the very ornate Pont Alexandre III, formed of a single arch 107 mètres long, was laid with great ceremony by the Czar Nicholas II in 1896. It was opened in 1900. A truly historic bridge is the Pont de la Concorde, built between 1787 and 1790, finished with stones off the razed Bastille, and called at first Pont Louis XVI. Louis’ head fell, and the bridge became Pont de la Révolution. Twelve immense statues of famous statesmen and warriors were set up on it in 1828. They were considered too big, and in 1851 were taken away to the Cour d’Honneur de Versailles. [Illustration: PONT-NEUF] Pont de Solferino, built in 1858, records the victorious Italian campaigns of 1859. Pont-Royal was designed by Mansart and built in 1689 by Dominican monks to replace a smaller, more primitive bridge which had been known successively as Pont-Barlier, Pont-des-Tuileries, Pont-Rouge, and Pont Ste-Anne; it underwent restoration in 1841. Pont des Saints-Pères, or Pont du Carrousel was one of the last of Paris bridges to pay toll; built in 1834, restored in recent years. Pont-des-Arts, so called from its vicinity to the Louvre, leading in a straight line from the colonnaded archway of the Court Carrée to the Institut, was opened in 1804, restored 1854. Pont-Neuf, the most characteristic of Paris bridges, dates back to the reign of Henri III. The King himself laid its first stone in 1578, but it was not finished till 1603, when Henri IV was King. “Le bon Roi” determined to be the first to cross it on horseback, and while it was still unsafe spurred his thoroughbred along the unfinished bridge way. His lords, hastening to follow where their master led, were jolted out of their saddles, and falling upon the unparapeted structure, rolled into the river and were drowned. Louis XIII set up a statue of his father on horseback on the bridge; the statue of the horse was a gift from Cosimo de’ Medici to Louis’ mother. At the Revolution it was overturned, taken away, and melted down to make cannons for the insurgents. Louis XVIII replaced it by a statue made of the bronze of the first statue of Napoléon that had been set up on Place Vendôme and that of his general, Desaix, on Place des Victoires. Though set up by the Bourbon King, the figure we see is believed to contain within it a statuette of Napoléon I and Voltaire’s _Henriade_. Until 1848 there were shops within the semicircles we see on either side of the old bridge, and beneath the second archway near the right bank there was one of the first hydraulic pumps, known as “la Samaritaine.” Its water was conveyed to the Louvre, the Tuileries, and to houses all around, and fed the famous old fountain built in 1608, destroyed a century later, rebuilt in 1715, again destroyed after another hundred years, with the figure of the Samaritan woman giving water to our Saviour. The bathing-house near the spot with its sign, and the big modern shop of hideous aspect, alone remain to record the name of the ancient pump and fountain. Two or three ancient houses still stand on the Place du Pont-Neuf in the middle of the bridge. At its picturesque western point we see the tree-shaded square Henri IV, known also as the Square du Vert-Galant. Place Dauphine, at its south-western side, dates from the days when Henri’s son, later Louis XIII, was dauphin. The Pont St-Michel we see to-day was built in 1857. The first bridge there, joining the mainland to the island on the Seine, was constructed towards the close of the fourteenth century. That bridge and two successive ones were destroyed by fire. Pont-au-Change, the Money-changers’ Bridge, was in olden days a wooden construction which went by the names Pont de la Marchandise and Pont-aux-Oiseaux. Jewellers as well as money-changers plied their trade along its planks, perhaps also bird merchants. It was a little higher up the river in its early twelfth century days and was often flooded. It was badly burnt, too, more than once; then in the seventeenth century was entirely rebuilt of stone, and bronze statues of the royal family, Louis XIII, Louis XIV as a child, and Anne d’Autriche, set up there. In the century following the houses upon it were all cleared away and in 1858 it was again rebuilt. The Petit-Pont joins the Île to the left bank at the very same spot where the Romans made a bridge across the river, one of two which spanned the Seine in their day, and on beyond. Like all town bridges of the Middle Ages it was made of wood and each side thickly built upon by houses and shops; windmills, too, stood on this ancient bridge, grinding corn for the citizens around. And where we now see the Place du Petit-Pont there stood a wooden tower, la Tour de Bois, erected to protect the bridge against the invading Normans. At the Musée Carnavalet an ancient inscription may be seen, recording the names of twelve warriors who fought here to defend their city, led by Gozlin, bishop of Paris, in 886. In the twelfth century Maurice de Sully, the builder of Notre-Dame, rebuilt the bridge in stone, but flood and fire laid it in ruins time after time. The last destructive fire was in the spring of