Rowlandson the Caricaturist; a Selection from His Works. Vol. 2 by Joseph Grego

Introduction, i. 162

Intrusion on Study, or the Painter Disturbed, i. 169, ii. 38. Irish Ambassadors Extraordinary, i. 249 Do. do. do. Return, or Bulls without Horns, i. 251 Irish Ambassadors Extraordinary, The, a Galantee Show, i. 248-9 Irish Baronet, The, and his Nurse, i. 368 Irish Giant, The, i. 154-5 Irish Howl, An, _Anti-Jacobin Review_, i. 362-3 Irish Jaunting Car, ii. 282 'I Smell a Rat,' or a Rogue in Grain, ii. 73 'Is this your Louse?' ('Peter Pindar'), i. 201 Italian Affectation. Real Characters, i. 98 Italian Family, An. (_See_ A French Family), i. 58, 170, 314-5 Italian Picture-Dealers Humbugging Milord Anglaise, ii. 228-30 Jack Tar Admiring the Fair Sex, ii. 297 Jew Broker, A, ii. 22, 24 Jews at Luncheon, i. 324-5 Jockey Club, The, or Newmarket Meeting, ii. 214 Jockey's Prayer, The, ii. 32 Jockeyship, i. 170; ii. 39 Johanna Southcott, the Prophetess, Excommunicating the Bishops, ii. 217 John Bull and the Genius of Corruption, ii. 159 John Bull at the Italian Opera, ii. 52-3, 212 John Bull Listening to the Quarrels of State Affairs, ii. 43 John Bull making Observations on the Comet, ii. 83 John Bull Arming the Spaniards, ii. 101 John Bull's Turnpike Gate, ii. 50-1 Joint Stock Street, ii. 168 Journal of Sentimental Travels in the Southern Provinces of France, ii. 368-70 Journeyman Tailor, A, ii. 296 Jovial Crew, The, i. 192 Joy with Tranquillity, i. 81-2 Junot Disgorging his Booty, ii. 101 Justice, A, ii. 13 Kick-up at a Hazard Table, A, i. 273-4 Kicking up a Breeze, or Barrow Women Basting a Beadle, ii. 274 Killing with Kindness, ii. 15 King Joe and Co. making the most of their time previous to quitting Madrid, ii. 99 King Joe's Retreat from Madrid, ii. 96 King Joe on his Spanish Donkey, ii. 96 King's Place, or a View of Mr. Fox's Best Friends, i. 132 Kissing for Love, or Captain Careless Shot Flying, ii. 186 Kitchen-Stuff, ii. 193 Kitty Careless in Quod, or Waiting for Jew Bail, ii. 202-3 La Fleur and the Dead Ass, ii. 173 Lady Hamilton at Home, or a Neapolitan Ambassador, ii. 310-12 Lady in Limbo, A, or Jew Bail Rejected, ii. 37 Lamentable Case of a Juryman, A, ii. 290 Landing Place, A, ii. 315 Land Stores, ii. 226 Last Drop, The, ii. 203 Last Dying Speech and Confession, i. 354 Last Gasp, The, or Toadstools Mistaken for Mushrooms, ii. 254 Last Jig, The, or Adieu to Old England, ii. 363 Last Shift, The, ii. 90 Late Hours, ii. 14 Laughter, ii. 2 Launching a Frigate, ii. 130-1 Lawyerorum, ii. 12, 13 Learned Scotchman, The, or Magistrate's Mistake, ii. 236 Lecture on Heads, by Geo. Alex. Stevens, ii. 117-18 Legerdemain, i. 369 'Letters from Naples and the Campagna Felice,' ii. 267, 301-8 Letter-Writer, The, ii. 303 Libel Hunters on the Look-out, or Daily Examiners of the Liberty of the Press, ii. 182 Liberty and Fame Introducing Female Patriotism (Duchess of Devonshire) to Britannia, i. 141 Life and Death of the Race Horse, ii. 211-12 Light Horse Volunteers of London and Westminster, Reviewed by His Majesty on Wimbledon Common, July 5, 1798, i. 349 Light Infantry Volunteers on a March, ii. 44 Light Summer Hat and Fashionable Walking Stick, ii. 33 Light Volunteers on a March, ii. 44 'Light, your Honour. Coach unhired,' ii. 34 Little Bigger, A, i. 293 Little Tighter, A, i. 292-3 London in Miniature, ii. 125, 128 London Outrider, or Brother Saddlebag, ii. 14 Long Pull, a Strong Pull, and a Pull All together, A, ii. 258-9 London Refinement, i. 199 Long Sermons and Long Stories are apt to lull the Senses, i. 107 Looking at the Comet till you get a Crick in the Neck, ii. 210-11 Loose Principles, i. 245 Loose Thoughts, i. 371 Lords of the Bedchamber, i. 128 Loss of Eden and Eden Lost, The. Gen. Arnold and Eden Lord Auckland, i. 173 Lottery Office Keeper's Prayer, The, ii. 33 Lousiad, The, i. 200 Love, i. 328 Love in Caricature, i. 353 Love and Dust, i. 234-7; ii. 189 Love in the East, i. 218, 220 Loves of the Fox and the Badger, or the Coalition Wedding, i. 112 Love and Learning, or the Oxford Scholar, i. 182 Love Laughs at Locksmiths, ii. 209 Loyal, The, Volunteers of London, i. 375-7 Lump of Impertinence, A, ii. 166 Lump of Innocence, A, ii. 166 Lunardi, Vincent, i. 163-4 Lust and Avarice, i. 236-7 Luxury and Desire, i. 237 Luxury and Misery, i. 106, 185, 325 Lying-in Visit, A, i. 307; ii. 313 Macassar Oil, or an Oily Puff for Soft Heads, ii. 284 Madame Blubber, i. 127, 129-30, 134 Madame Blubber on her Canvass, i. 129 Madame Blubber's Last Shift, or the Aerostatic Dilly, i. 134 Mad Dog in a Coffee House, A, ii. 131-2 Mad Dog in a Dining Room, A, ii. 131, 133 Mahomedan Paradise, A, i. 352 Maid of all Work's Prayer, The, ii. 30 Maiden Aunt Smelling Fire, A, ii. 58 Maiden Speech, The, i. 165 Maiden's Prayer, The, ii. 30 Major Topham (of the _World_) and the rising genius of Holman, i. 320 Man of Fashion's Journal, A, ii. 35 Man of Feeling, The, ii. 83, 216 Manager (Garrick) and Spouter, ii. 390 Manager's Last Kick, The, or a New Way to Pay Old Debts, ii. 219 Mansion House Monitor (_Poetical Magazine_), ii. 176 March to the Camp, i. 370 Margate, ii. 6 Masquerading, ii. 209-11 Master Billy's Procession to Grocers' Hall, i. 119 Master of the Ceremonies, A, Introducing a Partner, i. 326 Matrimonial Comforts (a series), ii. 14 Measuring Substitutes for the Army of Reserve, ii. 295-6 Medical Despatch, or Doctor Double-Dose Killing two Birds with one Stone, ii. 194 Meet, The: Hunting Morning, i. 223-4 Melopoyn Haranguing the Prisoners in the Fleet. 'Hogarthian Novelist,' ii. 6 -- (a distressed poet) and the Manager, i. 320 Melpomene in the Dumps, ii. 46-7 Mercury and his Advocates Defeated, or Vegetable Intrenchment, i. 267 Microcosm of London, or London in Miniature, ii. 125-8 Midwife going to a Labour, A, ii. 199 Military Adventures of Johnny Newcome, ii. 312 Militia Meeting, A, i. 372 Milksop, A, ii. 216 Miller's Waggon, i. 150 Minister's Ass, The, i. 143 Miseries of Bathing, ii. 83 Miseries of the Country, ii. 78 -- of Human Life (50 illustrations), ii. 71, 119-24, 166 -- of London: 'Going out to Dinner,' &c., ii. 64-5 -- -- or a Surly Hackney Coachman, ii. 284 -- -- 'Watermen,' ii. 231-2 -- Personal: 'After Dinner, when the Ladies Retire,' ii. 75-6 -- of Travelling--A Hailstorm, ii. 217 -- -- an Overloaded Coach, ii. 66 Miser's Prayer, The, ii. 30 Misery, i. 185, 325 Mistake, The, ii. 162 -- at Newmarket, or Sport and Piety, A, ii. 78 Mistress Bundle in a Rage, or too late for the Stage, ii. 130 Mock Auction, or Boney Selling Stolen Goods, ii. 264 Mock Phoenix, The, or a Vain Attempt to Rise again, ii. 262 Mock Turtle, i. 152; ii. 237 Modern Antiques, ii. 223 Modern Babel, or Giants Crushed by a Weight of Evidence, ii. 157-8 Modern Education, ii. 41, 47 Modern Egbert, The, or the King of Kings, i. 243 Modern Hercules Clearing the Augean Stables, The, ii. 49 Modish, i. 220 Monastic Fare, ii. 71-2 Money-Lenders, i. 148 -- Scrivener, A, ii. 22 Monkey Merchant, A, ii. 63 Monstrous Craws, or a New-Discovered Animal, ii. 35 More of the Clarke, or Fresh Accusations, ii. 161 -- Miseries, or the Bottom of Mr. Figg's Old Whiskey Broke through, ii. 83 -- Scotchmen, or Johnny Macree Opening his New Budget, ii. 75 _Morning_--Breakfast at Michiner's Grand Hotel, ii. 6 Morning Dram, The, i. 186 -- or the Man of Taste, ii. 214 Mother Cole and Loader, i. 125 Mother's Hope, The, ii. 86-7 Muck-Worms, ii. 55, 231 Munchausen's Surprising Adventures, ii. 175 Munchausen at Walcheren, ii. 224 Munro, Dr. i. 233 Murphy Delaney, ii. 75 Musical Doctor and his Scholars, A, ii. 297 -- Family, A, ii. 39 My Ass, ii. 295 My Aunt and my Uncle, ii. 83 Nap in the Country, i. 175 Nap in Town (companion), i. 175-6 Napoleon Buonaparte in a Fever on Receiving the Extraordinary Gazette of Nelson's Victory over the Combined Fleets, ii. 53, 55 Nap Dreading his Doleful Doom, or his Grand Entry into the Isle of Elba, ii. 281 -- and his Friends in their Glory, ii. 100-1 Napoleon le Grand, ii. 263-4 -- the Little in a Rage with his great French Eagle, ii. 98 Nap and his Partner Joe, ii. 99 Narrative of the War, i. 328-9 Nautical Characters, i. 362 Naval Triumph, or Favours Conferred, i. 99 Neddy's Black Box, i. 245 Négligé, La. Desig. by 'Simplex Mundities,' i. 183 Neighbours, ii. 296 New French Phantasmagoria, A, ii. 47 -- Invented Elastic Breeches, i. 148; ii. 236 -- Sentimental Journal, ii. 362 -- Shoes, i. 320, 324 -- Speaker, A, i. 246-7 -- Tap Wanted, A, or Work for the Plumber, ii. 182-3 Newspaper, The, ii. 10 Nice Fish, i. 238-9; ii. 22 Night Auction, A, i. 233 _Night_--At the Bazaars, Raffling for Prizes, ii. 6 Nincompoop, or Henpecked Husband, A, ii. 69, 70 None but the Brave deserve the Fair, ii. 255 _Noon_--Dining, Margate, ii. 6 Norwich Bull Feast, or Glory and Gluttony, ii. 257 Not at Home, or a Disappointed Dinner-Hunter, ii. 374 Note of Hand, A, i. 369 Nunina, ii. 11 Nursery, The, i. 371 Nursing the Spawn of a Tyrant; or Frenchmen Sick of the Breed, ii. 204-5 Odd Fellows from Downing Street Complaining to John Bull, ii. 88 Oddities, i. 306 Odes for the New Year, i. 209 Off She Goes, ii. 237 Officer. The Military Adventures of Johnny Newcome, ii. 298-9 Old Angel at Islington, The, i. 319 -- Cantwell Canvassing for Lord Janus (Hood), i. 228 -- Ewe Dressed Lamb Fashion, An, ii. 193 -- Maid's Prayer, The, ii. 30 -- Maid in Search of a Flea, i. 320, 324 -- Man of the Sea, The, sticking to the Shoulders of Sindbad the Sailor. _Vide_ the 'Arabian Nights' Entertainments.' (Burdett and Horne Tooke), ii. 74 -- Member, An, on his Road to the House of Commons, ii. 33 -- Poacher Caught in a Snare, An, ii. 374 -- Woman's Complaint, The, or the Greek Alphabet, ii. 130 On her Last Legs, i. 310 Opening a Vein, i. 150 Opera Boxes (4 plates), i. 177-8 Oratorio, ii. 6 Ordnance Dreams, or Planning Fortifications, i. 183-4 Original Drawings by Rowlandson, ii. Appendix Outré Compliments, i. 192 Oxford, Front View of Christ Church, ii. 184-5 'Oh! you're a Devil, get along, do!' ii. 134-5 Pantheon, i. 283-4, 256-7, 308 Paris Diligence, ii. 189 Parish Officer's Journal, A, ii. 36 Parliamentary Toast, A, 'Here's to the Lady,' &c., ii. 148 Parody on Milton, A, ii. 198 -- The, or Mother Cole and Loader, i. 125 Parson and the Clarke, The, ii. 154 Pastime in Portugal, or a Visit to the Nunneries, ii. 203 Patience in a Punt, ii. 222 Paviour, A, i. 366 Pea-cart, The, i. 241 Peace and Plenty, ii. 282-3 Peasant Playing the Flute (after J. Mortimer), i. 150 Peep into Bethlehem, A, ii. 13 -- into Friar Bacon's Study, A, i. 119 -- at the Gas Lights in Pall Mall, A, ii. 167-8 Penny Barber, A, i. 257 Penserosa, ii. 11 Persons and Property Protected by Authority, i. 168 Peter's Pension ('Peter Pindar'), i. 207 Peter Plumb's Diary, ii. 187-8 Petersham, Lord, ii. 225 Petitioning Candidate for Westminster, The, i. 143 Petticoat Loose, a Fragmentary Poem, ii. 238 Philip Quarrel (Thicknesse), the English Hermit, &c., i. 275 Philosophorum, ii. 10 Philosophy run Mad, or a Stupendous Monument to Human Wisdom, i. 312-13 Physicorum, ii. 11 Picture of Misery, A, ii. 204 Pictures of Prejudice, ii. 6 Pigeon-Hole, a Covent Garden Contrivance to Coop up the Gods, ii. 200-1 Piece-Offering, A. Memoirs, Life, Letters, &c., of Mrs. Clarke, ii. 159 Pilgrimage from Surrey to Gloucester Place, A, or the Bishop in an Ecstasy, ii. 148 Pilgrims and the Peas, The, ii. 71 Pit of Acheron, The, or the Birth of the Plagues of England, i. 111-12 Pitt Fall, The, i. 243 Place de Mer, Antwerp, i. 331 -- des Victoires, à Paris, La, i. 262-6 Plan for a General Reform, A, ii. 165 Plan for a Popular Monument to be Erected in Gloucester Place, ii. 156-7 Platonic Love. 'None but the Brave Deserve the Fair,' ii. 74 Pleasures of Human Life, The, ii. 83, 180, 362 -- of Margate, ii. 6 Plot Thickens, The, or Diamond Cut Diamond, ii. 161 Plucking a Spooney, ii. 225 'Plump to the Devil we boldly Kicked both Nap and his Partner Joe,' ii. 261 _Poetical Magazine_, ii. 175-8 -- Sketches of Scarborough, ii. 268-9 Polish Dwarf, The (Borowlowski), Performing before the Grand Seigneur, i. 186 Politesse Française, La, or the English Ladies' Petition to his Excellency the Mushroom Ambassador, i. 145 Political Affection, i. 133 -- Butcher, The, or Spain Cutting up Buonaparte for the Benefit of his Neighbours, ii. 96 -- Chemist and German Retorts, or Dissolving the Rhenish Confederacy, ii. 263 -- Hydra, The, i. 231; ii. 58 Poll, The, i. 127 -- of Portsmouth's Prayer, ii. 33 Pomfret, Lord, ii. 225 Pope's Excommunication of Buonaparte, The, or Napoleon brought to his last Stool, ii. 163 Portsmouth Point, ii. 284-6 Post Boys and Post Horses at the 'White Hart Inn,' i. 222 Post-chaise, A, i. 150, 217 Post Inn, i. 213 Power of Reflection, The, i. 100-1 Pray Remember the Blind, ii. 34 Preaching to some Purpose, ii. 236 Preceptor and Pupil, i. 140 Preparations for the Academy. Old Nollekens and his Venus, ii. 16-19 Preparations for the Jubilee; or Theatricals Extraordinary, ii. 166 Preparing for the Race, ii. 221 -- to Start, ii. 220-1 -- for Supper, i. 279-80 Print Sale, A (Hutchins, Auctioneer, and his Wife), i. 233 Private Amusement, i. 102, 180 Privates Drilling, i. 319 Procession of the Cod Company from St. Giles's to Billingsgate, ii. 190 Procession of a Country Corporation, i. 366-8 Procession to the Hustings, i. 134-5 Prodigal Son's Resignation, The, ii. 155 Progress of the Emperor Napoleon, The, ii. 101 Progress of Gallantry, or Stolen Kisses Sweetest, ii. 275-6 Propagation of a Truth, The, i. 244 Prophecy explained:--'And there are seven Kings, five are fallen, and one is, and the other is not yet come, and when he cometh he must continue but a short space,' ii. 98 Prospect before us, The (Half-a-crown Regency), i. 230 Prospect before us, The (Pantheon), i. 283-4, 286-87 Prospect before us, The (Companion), i. 285-87 Prudent, i. 221 Publican, A, ii. 13 Publican's Prayer, The, ii. 33 Publicorum, ii. 11 Pugin, ii. 125-8 Puff Paste, ii. 237 Puss in Boots, or General Junot taken by Surprise, ii. 204 Q. A. Q. Loaded with the Spoils of India, i. 226 Quaix de Paris, ii. 214 Quack Doctor's Prayer, The, ii. 31 Quaker and the Clarke, The, ii. 159 -- and the Commissioners of Excise, The, ii. 265 Quarter-day, or Clearing the Premises without Consulting your Landlord, ii. 274 Quarterly Duns, or Clamorous Tax-Gatherers, ii. 49 Quay, The, i. 20 Queer Fish, ii. 42 Rabbit Merchant, ii. 197 Racing, ii. 230-1 Racing Series. The Course, i. 260 " The Betting Post, i. 258-9 " The Mount, i. 261 " The Start, i. 258-9 Rag Fair, ii. 33 Rainbow Tavern, in Fleet Street, in 1800, ii. 19 Raising the Wind: 'When Noblemen,' &c., ii. 53, 233-5 Rapture, ii. 1 Reconciliation, or the Return from Scotland, i. 171-2 Recovery of a Dormant Title, or a Breeches Maker become a Lord, ii. 51 Recruits, ii. 42, 214 Recruiting, ii. 314 -- on a Broadbottom'd Principle, ii. 59 Refinement of Language. A Timber Merchant, &c., ii. 233 Reform Advised, Reform Begun, Reform Complete, i. 319 Reformation, or the Wonderful Effects of a Proclamation, i. 220 Relics of a Saint, by Ferdinand Farquhar, ii. 317 Repeal of the Test Act, i. 270-1 Resignation, The, or John Bull Overwhelmed with Grief, ii. 154 Rest from Labour. Sunny Days, i. 150 Return from Sport, i. 189 -- from a Walk, A, ii. 15 Reynard put to his Shifts, i. 132 Rhedarium, The, i. 101 Richardson's Show, ii. 312-13 Richmond Hill, ii. 42, 214 Ride to Rumford, A, i. 371 Rigging out a Smuggler, ii. 190-1 Rising Sun, The, or a View of the Continent, ii. 162-3 Rival Candidates, The, i. 124 Rivals, The, ii. 231, 284 Road to Preferment, The, through Clarke's Passage, ii. 149 -- to Ruin, ii. 43 Roadside Inn, A, i. 269 Rochester Address, or the Corporation going to Eat Roast Pork and Oysters with the Regent, i. 251 'Roderick Random.' Lieutenant Bowling Pleading the Cause of Young Roy to his Grandfather, i. 308-10 -- -- The Passengers from the Waggon arriving at the Inn, i. 310-11 Rogue's March, The, ii. 279 Rosedale, John, Mariner, exhibitor at the Hall of Greenwich Hospital, ii. 76 Rotation Office, A, i. 96 Rough Sketch of the Times as delineated by Sir Francis Burdett, A, ii. 365 Round Dance, A, ii. 314 Royal Academy, Somerset House, ii. 216 Ruins of the Pantheon after the Fire which happened Jan. 14, 1792, i. 308 Rum Characters in a Shrubbery, ii. 91 Run, The, i. 223 Rural Halt, A, i. 214 -- Sports: Balloon-Hunting, ii. 215 -- -- Buck-Hunting, ii. 287-8 -- -- A Cat in a Bowl, ii. 205-6 -- -- or a Cricket Match Extraordinary, ii. 214 -- -- or a Game at Quoits, ii. 212 Rural Sports; or how to show off a well-shaped Leg, ii. 212-3 -- -- A Milling Match: Cribb and Molineaux, ii. 212 -- -- or an Old Mole-Catcher, ii. 208 -- -- or a Pleasant Way of Making Hay, ii. 284 -- -- Smock-Racing, ii. 212-13 Rustic Courtship, i. 171 -- Recreations, ii. 316 Rusty Bacon, ii. 80, 82 Sad Discovery, The, or the Graceless Apprentice, i. 170 Sadness, ii. 2 Sagacious Buck, The, or Effects of Waterproof, ii. 214 Sailors Carousing, i. 188-9 -- Drinking the Tunbridge Waters, ii. 290 -- on Horseback, ii, 202 Sailor's Journal, The, ii. 35-6 Sailor Mistaken, A, ii. 34 Sailor's Prayer, The, ii. 33 Sailors Regaling, ii. 6 Sailor's Will, A, ii. 51 St. James's and St. Giles's, i. 306, 324 St. James's Courtship, i. 364 St. Giles's Courtship, i. 364-5 Sale of English Beauties in the East Indies, A (after James Gillray), ii. 197 Salisbury, Lord, K. of Würtemburg, and D. of Gloucester, i. 327-8 Saloon at the Pavilion, Brighton, i. 276 Salt Water, ii. 41 Sampson Asleep on the Lap of Delilah, ii. 154 Samuel House, Sir, i. 98-9 Scandal: Investigation of the Charges brought against H.R.H. the Duke of York, by G. L. Wardle, Esq., M.P. for Devon, with the Evidence and Remarks of the Members, ii. 181 Scarborough, Poetical Sketches of, ii. 269 Scenes at Brighton, or the Miseries of Human Life, ii. 71, 84 Scene in a New Pantomime to be Performed at the Theatre Royal of Paris, ii. 292 -- at Streatham: Bozzi and Piozzi, i. 97 -- from the Tragedy of 'Cato,' A, ii. 150 School of Eloquence, The, i. 98 'School for Scandal,' The, i. 228-9 Schoolmaster's Tour, The, ii. 176 Scorn, ii. 2 Scotch Ostrich Seeking Cover, The, ii. 51 -- Sarcophagus, A, ii. 50 Scottifying the Palate, i. 195 Sea Amusement, or Commander-in-Chief of Cup and Ball on a Cruize, i. 176-7 Searched by Douaniers on the French Frontier, ii. 370 Sea Stores, ii. 226 Seaman's Wife's Reckoning, A. ii. 231 Secret History of Crim. Con., The, plates I., II., ii. 231 Secret Influence Directing the New Parliament, i. 140-1 Second Tour of Doctor Syntax, in Search of Consolation, The, ii. 367 Select Vestry, A, ii. 58 Sentinel, The, Mistakes Tom Jones for an Apparition, ii. 56 Sentimental Journey, The, ii. 10, 169-74 Sergeant Recruiter (Duc d'Orleans), i. 252-3 Series, A, of Miniature Groups and Scenes, i. 282 -- of Small Landscapes, i. 324 Setting out for Margate, ii. 231, 233. Seven Stages of Man's Schooling, ii. 397 She don't Deserve it, i. 261 -- Stoops to Conquer, ii. 201, 202 -- will be a Soldier, i. 349 Sheets of Borders for Halls, i. 364 -- of Picturesque Etchings.--Cattle at the River. The Horse Race. A View in Cornwall. The River, Towing Barges, &c. Rustic Refreshment. Water Pastime, Skating on a Frozen River, i. 280 -- of Picturesque Etchings.--A Four-in-Hand. The Village Dance. The Woodman Returning. River Scene, Mill, Shipping, &c., i. 289 -- -- Huntsmen Visiting the Kennels. Haymakers Returning. Deer in a Park, Cattle, &c. Shepherds. Horses in a Paddock. Cattle Watering at a Pond. A Piggery, i. 289. Shipping Scene, i. 18 Shoeing--The Village Forge, i. 212 Showell, Mrs.; the Woman who Shows General Guise's Collection of Pictures at Oxford, ii. 66 Sick Lion, and the Asses, The (York series), ii. 158 Sign of the Four Alls, The, ii. 195-6 Signiora Squallina, ii. 42 Silly, A, ii. 6 Simmons, Thomas (the murderer), ii. 81 Simple Bodily Pain, ii. 2 Single Combat in Moorfields, or Magnanimous Paul O! Challenging All O! ii. 28-9 Sir Cecil's Budget for Paying the National Debt, i. 122 Sir Jeffrey Dunstan Presenting an Address from the Corporation of Garratt, i. 232 Six Classes of that Noble and Useful Animal, a Horse, ii. 214 -- Stages of Marring a Face. Dedicated to the Duke of Hamilton, i. 307-8 -- -- of Mending a Face. Dedicated to the Rt. Hon. Lady Archer, i. 308 Sketch from Nature, A, i. 145 Sketches from Nature, ii. 199, 373 Sketch of Politics in Europe. Birthday of the King of Prussia. Toasts on the occasion, i. 182-3 Skipping Academy, A, ii. 6 Slang Society, The, i. 162 Slap-Bang Shop, ii. 297 Sleepy Congregation, A, ii. 199 Slugs in a Sawpit, i. 296-7 Sly Boots, ii. 38 Smithfield Sharpers, or the Countryman Defrauded, i. 46 Smoky House and a Scolding Wife, A, ii. 368 Smollett, T., Miscellaneous Works (26 Illustrations by Rowlandson), ii. 181 Smuggling in, or a College Trick, ii. 190 -- Out, or Starting for Gretna Green, ii. 190 Snip in a Rage, ii. 39 Snug Cabin, or Port Admiral, ii. 43, 88 Social Day, ii. 316 Soldiers on a March, ii. 84 -- Recruiting, i. 349 Song by Commodore Curtis. Tune: 'Cease, rude Boreas,' ii. 163-4 Sorrow's Dry, or a Cure for the Heart Ache, ii. 39, 41, 210 'Sorrows of Werter,' ii. 57 Spanish Cloak, A, ii. 226 Spanish Passport to France, A, ii. 96 Special Pleaders in the Court of Requests, ii. 36 -- Pleading, i. 98 'Spirit of the Public Journals for the years 1823-25,' ii. 375, 377-8 Spiritual Lovers, i. 330 Spitfires, ii. 192-3 Sports of a Country Fair. Part I., ii. 191 -- Part II., ii. 191 -- Part III., a Bengal Tiger Loose, ii. 191 -- Cockburn's Theatre on Fire, ii. 192 Squall in Hyde Park, A, i. 302-4 Squire, ii. 14 Stadthouse, Amsterdam, i. 331 Stage Coach, A, i. 213; ii. 43 -- -- Setting Down at the Dolphin Inn, i. 237 -- -- Setting Out from a Posting-house, i. 222 Start, The, i. 223 State Auction, The, i. 121 -- Butchers, i. 245 -- Watchman, The, discovered by the Genius of Britain Studying Plans for the Reduction of America, i. 105 Statue to be Disposed of, The, Gloucester Place, ii. 153 Sterne's 'Sentimental Journey,' ii. 169-74 Steward, ii. 14 Stockdale, the Bookselling Blacksmith, one of the King's New Friends, i. 144 Stockjobber's Prayer, The, ii. 31 Studious Gluttons, i. 312-13 Successful Fortune-Hunter, The, or Captain Shelalee leading Miss Marrowfat to the Temple of Hymen, ii. 235 Sufferer for Decency, A, i. 257 Suffering under the Last Symptoms of a Dangerous Malady, &c., ii. 84 Suitable Restrictions, i. 245 Sulky, A, ii. 6 Summer Amusement: Bug-Hunting, ii. 208 -- -- a Game at Bowls, ii. 6-9 Summer Amusements at Margate, or a Peep at the Mermaids, ii. 254 _Supplemental Magazine_, i. 180 Surprising Irish Giant of St. James's Street, The, i. 154 Sweating for Opposition, A, by Dr. Willis, Dominisweaty & Co., i. 248 Sweet Little Girl that I Love, The, ii. 88 -- Lullaby, ii. 42 -- Pea, The, ii. 233 Sympathy, ii. 298 -- or a Family on a Journey, i. 174 Symptoms of Restiveness, ii. 79-80 -- of Sanctity, ii. 27-8 Table d'Hôte, or French Ordinary in Paris, ii. 188 Tables are Turned, The. How are the Mighty Fallen, ii. 150 Tables Turned: Miseries of Wedlock, ii. 134 Tailor's Wedding, A, ii. 276 Tailpiece to Tegg's Collection of the York and Clarke's Caricatures, ii. 156 Tally-ho-rum! ii. 11 Taste, ii. 33 Tastes Differ, i. 175 Tax-gatherer, ii. 14 Tea on Shore, i. 168, 253-5, 323 Templar at his Studies, A, ii. 222 Temptation, i. 168 Terror, ii. 2 Theatrical Candidate, A, i. 330 -- Chymist, A (Holman _versus_ Topham), i. 190 -- Leap-frog, ii. 46 Third Tour of Doctor Syntax, The, in Search of a Wife (25 illustrations), ii. 373, 375 This is the House that Jack Built: O.P. Riots, Drury Lane, ii. 165-6 Three Tours of Doctor Syntax, i. 33; ii. 176, 247-52, 266-7, 269-70, 367, 373, 375 -- Principal Requisites to form a Man of Fashion, The, ii. 286 -- Weeks after Marriage, or the Great Little Emperor playing at Bo-peep, ii. 186-7 'Throw Physic to the Dogs,' ii. 91, 193, 199 'Tiens bien ton Bonnet, et toi, defends ta Queue,' i. 331 Timber Waggon, i. 150 Times, The: Regency of the Prince, i. 110 -- -- or a View of the Old House in Little Britain, i. 114 Tit-bit for a Strong Stomach, A, ii. 135 -- for the Bugs, A, i. 320 Tithe Pig, i. 268 Too many for a Jew, i. 165 Tooth Ache, The, or Torment and Torture, ii. 375-6 Toper's Mistake, The, ii. 33 Topham endeavouring with his Squirt to Extinguish the Genius of Holman, i. 166 Touch at the Times, A, i. 231 -- for Touch, or a Female Physician in Full Practice, ii. 206 Tour to the Lakes, A, ii. 80-1 Toxophilites, i. 270 Traffic (Old Clo' men), i. 289, 323-4 Trafficorum, ii. 12 Tragedy in London, ii. 74 -- Spectators, i. 217, 219 Transparency Exhibited at Ackermann's, in the Strand, Nov. 27, 1815. Day of Celebration of General Peace in London, ii. 294-5 Transplanting of Teeth (Baron Ron), i. 211 Traveller Refreshed in a Stagnant Pool after the Fatigues of a Dusty Day's Journey, A, ii. 130 Travelling Knife-Grinder at a Cottage Door, i. 222 Trial of the Duke of York, The, ii. 178 Tricks on the Turf--Settling to Lose a Race, ii. 368 Trip to Gretna Green, A, ii. 215 Triumph of Hypocrisy, The, i. 211 -- of Sentiment, The, i. 210 Triumvirate of Gloucester Place, The, or the Clarke, the Soldier, and the Taylor, ii. 151 Tutor and his Pupil Travelling in France, ii. 217 Twelfth Night Characters (in 24 figures), ii. 214 Two Kings of Terror, The. Transparency exhibited at Ackermann's. The Allied Victory of Leipsic, ii. 255, 257 -- Patriotic Duchesses on their Canvass, The (Duchesses of Portland and Devonshire), i. 124 -- of a Trade can never Agree: Mrs. Clarke and Col. Wardle, ii. 160 Twopenny Cribbage, i. 369 Tyrant of the Continent is Fallen, The, Europe is Free, England Rejoices, ii. 281 Uncle George and Black Dick at their New Game of Naval Shuttlecock, i. 199 Undertakers Regaling, ii. 26-7 Unexpected Meeting, An, ii. 148 -- Return, An, or a Snip in Danger, ii. 297 Union, The, ii. 22 -- Headdress, The, ii. 33 Unloading a Waggon, ii. 255-6 Vauxhall Gardens, i. 156-62 Veneration, ii. 1 Véry, Madame, Restaurateur, Palais Royal, Paris, ii. 272-3 Vicar and Moses, The (song heading), i. 147 'Vicar of Wakefield' (24 plates), ii. 356-9, 375 Vicar, ii. 14 Vice-Queen's Delivery, The, at the Old Soldier's Hospital, in Dublin, i. 243 View on the Banks of the Thames, A, ii. 75-7 -- of a Cathedral Town on Market-day, i. 364 Views of the Colleges, ii. 184 -- of Cornwall, ii. 239-46 -- in Cornwall and Dorset (a series), ii. 56 -- in Cornwall, Devon, Somerset, Isle of Wight, &c., ii. 169, 181 View on the French Coast, i. 222 Views of London--Entrance of Tottenham Court Road Turnpike, with a view of St. James's Chapel. Ackermann's Gallery, i. 349 -- -- Entrance of Oxford Street, or Tyburn Turnpike, with a view of Park Lane, i. 349 -- -- Entrance from Mile End, or White Chapel Turnpike, i. 349 -- -- Entrance from Hackney, or Cambridge Heath Turnpike, with a distant view of St. Paul's, i. 349 Village Cavalry Practising in a Farmyard, i. 324 -- Doctor, The, i. 96 Virginia, ii. 11 Virtue in Danger, ii. 297 Visit, A, to the Aunt, i. 192, 324 -- to the Doctor, ii. 236 -- to the Uncle, i. 192, 324-5 'Vive le Roi! Vive l'Empereur!! Vive le Diable!!! French Constancy, ii. 291-2 Volcano of Opposition, The, i. 293 Volunteer Wit, or not Enough for a Prime, ii. 86 Waddling Out, i. 366 Waggon and Horses. 'The Feathers,' i. 332 Waiting for Dinner, i. 276-9 Washing Day, ii. 15 -- Trotters, ii. 1 Watercresses, i. 354 Waterfall, The, or an Error in Judgment, i. 155 Weeping, i. 13; ii. 2 Welsh Sailor's Mistake, The, or Tars in Conversation, ii. 89 'Werter, Sorrows of,' i. 191; ii. 57 Westminster Deserter, The, Drummed out of the Regiment, i. 138-9 -- Election, The, i. 128-143 -- Mendicant, The, i. 137 -- Watchman, The, i. 126 Wet under Foot, ii. 225 White Sergeant giving the Word of Command, A, ii. 74 Who Killed Cock Robin? (_Manchester Massacre_), ii. 365 Who Kills First for a Crown, i. 274-5 Who's Mistress Now? ii. 41, 206 Widow's Prayer, The, ii. 30 Wigstead, Henry. Remarks on a Tour to North and South Wales in the year 1797, ii. 19-21 Wild Irish, or Paddy from Cork with his Coat Buttoned Behind, ii. 84, 368 Winding up the Medical Report of the Walcheren Expedition, ii. 182 Wisdom Led by Virtue and Prudence to the Temple of Fame, i. 135 Witches in a Hayloft, ii. 265 Wit's Last Stake, The, or Cobbling Voters and Abject Canvassers, i. 130-1 Woman of Fashion's Journal, A, ii. 35 Wonderful Pig, The, i. 155 Wonderfully Mended. 'Shouldn't have known you again,' ii. 90 Wonders--Wonders--Wonders! ii. 162 Word-Eater, The (Fox), i. 192, 232-3 Work for Doctors' Commons, i. 306 World in Miniature, ii. 312-16, 362 York Address to the Whale, A, Caught lately off Gravesend, ii. 157 York Dilly, The, or the triumph of innocence, ii. 155 Yorkshire Hieroglyphics!! Plate 1. The Duke's Letter to Mrs. Clarke, ii. 151-2 -- -- Plate 2. The Duke's Second Letter to Mrs. Clarke, ii. 152-3 York Magician Transforming a Footboy into a Captain, The, ii. 148 -- March, The, ii. 149-50 Yorick and Father Lorenzo, ii. 170 -- Feeling the Grisette's Pulse, ii. 10 Youth and Age?--Contrasts, i. 188 THE END. LONDON: PRINTED BY SPOTTISWOODE AND CO., NEW-STREET SQUARE AND PARLIAMENT STREET * * * * * Transcriber's Notes: Italic text is denoted by _underscores_. In the text version, footnotes have been moved to the end of each chapter with the exception of a note in the summary table. In the html version, footnotes have been moved to the end of the text. Illustrations have been moved to paragragh breaks in a direction which brings them closer to their descriptions. In the html version this has left blank pages where page numbers are omitted. Obvious typos and punctuation errors have been corrected, but In as many cases as possible the original spelling is retained. It usually adds to the general hilarity. There are many instances of double choices for hyphenations. Some same words are hyphenated and some aren't. These have been left as printed. The names 'Billingsgatura', 'Billingsgatina' and 'Billingsgata' all seem to refer to the same print, left as printed. p.vii. 'An Essay on the Art of Ingeinously Tormenting'. Ingeinously changed to Ingeniously. p.127. 'The sale Room' changed to 'The Sale Room'. p.141. The end of the sentence in the original text reads,'Commander- in Chief'. The e-text will read all on the same line as, Commander-in-Chief. p.148. February 29, 1809. In 1809, February was not a leap year. This appears to be a typo for February 25. p.192. 'the Cossack is giving the fugitive a prog'. 'prog' is changed to prod'. p.309. Footnote 1: 'Now known a the Egyptian Hall' changed to 'Now known as the Egyptian Hall'. p.350. 'cortége' changed to 'cortège'. p.393. 'Delices de la Grand Bretagne. Two plates by by Rowlandson' extra 'by' removed. p.395. '4. Admiration with Astonishment. do.' an extra 'do' has been added. p.400. '4. Original Plan for a Popular Monument to be Erecte in Gloucester Place'. 'Erecte' changed to 'Erected'. p.422. The Castatrophe left as is. p.438. Index. Ferdinand Farquhar's 'Relics of a Saint,' ii. Page numbers added 312, 317. p.442. Index. Caricature Medallions for Screens, ii. Page number added 6. p 452. Index. Cockburn's Theatre on Fire, ii. 192. Dash added as this is a subpart. Index Plan for a Popular Monument to be Erected in Gloucester Place, ii. 156-7. Moved from "O" to "P". *** END OF THE PROJECT GUTENBERG EBOOK ROWLANDSON THE CARICATURIST; A SELECTION FROM HIS WORKS. VOL. 2 *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.