Olympic Victor Monuments and Greek Athletic Art by Walter Woodburn Hyde

73. Froehner reads the name “Exotra,” that of a woman victor.

[813] _I. G. A._, 43 a (p. 173). [814] Duetschke, IV, no. 534. Another relief fragment in the Uffizi shows the upper part of the two with horses, each wearing the chlamys and pilleus and carrying spears: Duetschke, III, 446. [815] _B. M. Sculpt._, I, no. 780; _Museum Marbles_, II, Pl. 11; _cf._ a similar relief, no. 781. The relief _ibid._, III, no. 2206, supposedly representing Kastor, has been pronounced a modern forgery by Treu: see F. W., 1006. [816] Ch. I, pp. 27 f. and 37 f. [817] This is the usual division of victor monuments: Scherer, pp. 21 f.; Hitz.-Bluemn., II, 2, p. 530; Furtw.-Urlichs, _Denkmaeler griech. und roem. Skulptur_, Handausgabe^3, 1911, pp. 104 f. (translation by H. Taylor, 1914, pp. 120 f.) Reisch, p. 40, divides _Siegerbilder in Motiven von allgemeiner Geltung und Bilder in Motiven, die der speciellen Veranlassung der Weihung entlehnt sind_—a division practically amounting to that of rest and motion statues, as we shall see. [818] Discussed _infra_ in Ch. VII, pp. 334 f. [819] VIII, 40.1. [820] See _infra_, Ch. VII, pp. 327-8. [821] We know of one case, at least, where an “Apollo” (draped) was transferred to a relief—on a column drum of the old Artemision in Ephesos, now in the British Museum: _J. H. S._, X, 1889, Pl. III, pp. 4 f., and figs. 4a, 5 (Murray); Overbeck, I, p. 106, fig. 9; Richardson, p. 53, fig. 16. According to Herodotos, I, 92, most of these columns were the gifts of Crœsus, who reigned 560-546 B. C. On the whole series of “Apollos,” see W. Deonna, _Les Apollons archaïques_, 1909; _cf._ F. W., text to no. 14, pp. 9 f; _B. M. Sculpt._, I, pp. 82-3, with references; etc. [822] See Richardson, pp. 39 f. [823] Staïs, _Marbres et Bronzes_, pp. 11-12 and fig.; _B. C. H._, X, 1886, Pl. V (two views) and pp. 98 f. (Holleaux); Collignon, I, p. 117, fig. 58; Deonna, _op. cit._, p. 161, no. 35; Richardson, p. 44, fig.