The Travels of Marco Polo — Volume 1 by Marco Polo and da Pisa Rusticiano

Church of S. Lorenzo; and indeed Sansovino bears testimony to the fact in a confused notice of our Traveller.[24] But there does not seem to have been any monument to Marco, though the sarcophagus which had been erected to his father Nicolo, by his own filial care, existed till near the end of the 16th century in the porch or corridor leading to the old Church of S. Lorenzo, and bore the inscription: “SEPULTURA DOMINI NICOLAI PAULO DE CONTRATA S. IOANNIS GRISOSTEMI.” The church was renewed from its foundations in 1592, and then, probably, the sarcophagus was cast aside and lost, and with it all certainty as to the position of the tomb.[25] [Illustration: Pavement in front of San Lorenzo, Venice.] There is no portrait of Marco Polo in existence with any claim to authenticity. The quaint figure which we give in the _Bibliography_, vol. ii. p. 555, extracted from the earliest printed edition of his book, can certainly make no such pretension. The oldest one after this is probably a picture in the collection of Monsignor Badia at Rome, of which I am now able, by the owner’s courtesy, to give a copy. It is set down in the catalogue to Titian, but is probably a work of 1600, or thereabouts, to which the aspect and costume belong. It is inscribed “_Marcus Polvs Venetvs Totivs Orbis et Indie Peregrator Primus._” Its history unfortunately cannot be traced, but I believe it came from a collection at Urbino. A marble statue was erected in his honour by a family at Venice in the 17th century, and is still to be seen in the Palazzo Morosini-Gattemburg in the Campo S. Stefano in that city. The medallion portrait on the wall of the _Sala dello Scudo_ in the ducal palace, and which was engraved in Bettom’s “Collection of Portraits of Illustrious Italians,” is a work of imagination painted by Francesco Griselini in 1761.[26] From this, however, was taken the medal by Fabris, which was struck in 1847 in honour of the last meeting of the Italian Congresso Scientifico; and from the medal again is copied, I believe, the elegant woodcut which adorns the introduction to M. Pauthier’s edition, though without any information as to its history. A handsome bust, by Augusto Gamba, has lately been placed among the illustrious Venetians in the inner arcade of the Ducal Palace.[27] There is also a mosaic portrait of Polo, opposite the similar portrait of Columbus in the Municipio at Genoa. [Illustration: S. Lorenzo as it was in the 15th century] [Sidenote: Further History of the Polo Family.]