The Travels of Marco Polo — Volume 1 by Marco Polo and da Pisa Rusticiano

subject of important knowledge other than geographical, which various persons have supposed that Marco Polo must have introduced from Eastern Asia to Europe. Respecting the mariner’s compass and gunpowder I shall say nothing, as no one now, I believe, imagines Marco to have had anything to do with their introduction. But from a highly respectable source in recent years we have seen the introduction of Block-printing into Europe connected with the name of our Traveller. The circumstances are stated as follows:[20] “In the beginning of the 15th century a man named Pamphilo Castaldi, of Feltre ... was employed by the Seignory or Government of the Republic, to engross deeds and public edicts of various kinds ... the initial letters at the commencement of the writing being usually ornamented with red ink, or illuminated in gold and colours. “According to Sansovino, certain stamps or types had been invented some time previously by Pietro di Natali, Bishop of Aquilœa.[21] These were made at Murano of glass, and were used to stamp or print the outline of the large initial letters of public documents, which were afterwards filled up by hand.... Pamphilo Castaldi improved on these glass types, by having others made of wood or metal, and having seen several Chinese books which the famous traveller Marco Polo had brought from China, and of which the entire text was printed with wooden blocks, he caused moveable wooden types to be made, each type containing a single letter; and with these he printed several broadsides and single leaves, at Venice, in the year 1426. Some of these single sheets are said to be preserved among the archives at Feltre.... “The tradition continues that John Faust, of Mayence ... became acquainted with Castaldi, and passed some time with him, at his _Scriptorium_, ... at Feltre;” and in short developed from the knowledge so acquired the great invention of printing. Mr. Curzon goes on to say that Panfilo Castaldi was born in 1398, and died in 1490, and that he gives the story as he found it in an article written by Dr. Jacopo Facen, of Feltre, in a (Venetian?) newspaper called _Il Gondoliere_, No. 103, of 27th December, 1843. In a later paper Mr. Curzon thus recurs to the subject:[22] “Though none of the early block-books have dates affixed to them, many of them are with reason supposed to be more ancient than any books printed with moveable types. Their resemblance to Chinese block-books is so exact, that they would almost seem to be copied from the books commonly used in China. _The impressions are taken off on one side of the paper only, and in binding, both the Chinese, and ancient German, or Dutch block-books, the blank sides of the pages are placed opposite each other_, and sometimes pasted together.... The impressions are not taken off with printer’s ink, but _with a brown paint or colour, of a much thinner description, more in the nature of Indian ink, as we call it, which is used in printing Chinese books_. Altogether the German and Oriental block-books are so precisely alike, in almost every respect, that ... we must suppose that the process of printing then must have been copied from ancient Chinese specimens, brought from that country by some early travellers, whose names have not been handed down to our times.” The writer then refers to the tradition about _Guttemberg_ (so it is stated on this occasion, not Faust) having learned Castaldi’s art, etc., mentioning a circumstance which he supposes to indicate that Guttemberg had relations with Venice; and appears to assent to the probability of the story of the art having been founded on specimens brought home by Marco Polo. This story was in recent years diligently propagated in Northern Italy, and resulted in the erection at Feltre of a public statue of Panfilo Castaldi, bearing this inscription (besides others of like tenor):— “_To Panfilo Castaldi the illustrious Inventor of Movable Printing Types, Italy renders this Tribute of Honour, too long deferred._” In the first edition of this book I devoted a special note to the exposure of the worthlessness of the evidence for this story.[23] This note was, with the present Essay, translated and published at Venice by Comm. Berchet, but this challenge to the supporters of the patriotic romance, so far as I have heard, brought none of them into the lists in its defence. But since Castaldi has got his statue from the printers of Lombardy, would it not be mere equity that the mariners of Spain should set up a statue at Huelva to the Pilot Alonzo Sanchez of that port, who, according to Spanish historians, after discovering the New World, died in the house of Columbus at Terceira, and left the crafty Genoese to appropriate his journals, and rob him of his fame? Seriously; if anybody in Feltre cares for the real reputation of his native city, let him do his best to have that preposterous and discreditable fiction removed from the base of the statue. If Castaldi has deserved a statue on other and truer grounds let _him_ stand; if not, let him be burnt into honest lime! I imagine that the original story that attracted Mr. Curzon was more _jeu d’esprit_ than anything else; but that the author, finding what a stone he had set rolling, did not venture to retract. [Sidenote: Frequent opportunities for such introduction in the age following Polo’s.]