A Short History of Freethought Ancient and Modern, Volume 2 of 2 by J. M. Robertson

finally, a similar account is to be given. The supreme poet of modern Italy, Leopardi, is one of the most definitely rationalistic as well as one of the greatest philosophic poets in literature; Carducci, the greatest of his successors, was explicitly anti-Christian; and despite all the claims of the Catholic socialists, there is little modern Catholic literature in Italy of any European value. One of the most distinguished of modern Italian scholars, Professor A. de Gubernatis, has in his Letture sopra la mitologia vedica (1874) explicitly treated the Christian legend as a myth. In Germany we have seen Goethe and Schiller distinctly counting for naturalism; and of Jean Paul Richter (1763-1825) an orthodox historian declares that his "religion was a chaotic fermenting of the mind, out of which now deism, then Christianity, then a new religion, seems to come forth." [1869] The naturalistic line is found to be continued in Heinrich von Kleist, the unhappy but masterly dramatist of Der Zerbrochene Krug, one of the truest geniuses of his time; and above all in Heine, whose characteristic profession of reconciling himself on his deathbed with the deity he imaged as "the Aristophanes of heaven" [1870] serves so scantily to console the orthodox lovers of his matchless song. His criticism of Kant and Fichte is a sufficient clue to his serious convictions; and that "God is all that there is" [1871] is the sufficient expression of his pantheism. The whole purport of his brilliant sketch of the History of Religion and Philosophy in Germany (1834; 2nd ed. 1852) is a propaganda of the very spirit of freethinking, which constitutes for Germany at once a literary classic and a manifesto of rationalism. As he himself said of the return of the aged Schelling to Catholicism, we may say of Heine, that a deathbed reversion to early beliefs is a pathological phenomenon. The use latterly made of Heine's deathbed re-conversion by orthodoxy in England is characteristic. The late letters and conversations in which he said edifying things of God and the Bible are cited for readers who know nothing of the context, and almost as little of the speaker. He had similarly praised the Bible in 1830 (Letter of July, in B. iii of his volume on Börne--Werke, vii, 160). To the reader of the whole it is clear that, while Heine's verbal renunciation of his former pantheism, and his characterization of the pantheistic position as a "timid atheism," might have been made independently of his physical prostration, his profession of the theism at which he had formerly scoffed is only momentarily serious, even at a time when such a reversion would have been in no way surprising. His return to and praise of the Bible, the book of his childhood, during years of extreme suffering and utter helplessness, was in the ordinary way of physiological reaction. But inasmuch as his thinking faculty was never extinguished by his tortures, he chronically indicated that his religious talk was a half-conscious indulgence of the overstrained emotional nature, and substantially an exercise of his poetic feeling--always as large a part of his psychosis as his reasoning faculty. Even in deathbed profession he was neither a Jew nor a Christian, his language being that of a deism "scarcely distinguishable in any essential element from that of Voltaire or Diderot" (Strodtmann, Heine's Leben und Werke, 2te Aufl. ii, 386). "My religious convictions and views," he writes in the preface to the late Romancero, "remain free of all churchism.... I have abjured nothing, not even my old heathen Gods, from whom I have parted in love and friendship." In his will he peremptorily forbade any clerical procedure at his funeral; and his feeling on that side is revealed in his sad jests to his friend Meissner in