A Short History of Freethought Ancient and Modern, Volume 2 of 2 by J. M. Robertson

comrade, Cyrano de Bergerac (1620-1655), who did not fear to indicate his frame of mind in one of his dramas. In La Mort d'Agrippine he puts in the mouth of Sejanus, as was said by a contemporary, "horrible things against the Gods," notably the phrase, "whom men made, and who did not make men," [567] which, however, generally passed as an attack on polytheism; and though there was certainly no blasphemous intention in the phrase, Frappons, voilà l'hostie [= hostia, victim], some pretended to regard it as an insult to the Catholic host. [568] At times Cyrano writes like a deist; [569] but in so many other passages does he hold the language of a convinced materialist, and of a scoffer at that, [570] that he can hardly be taken seriously on the former head. [571] In short, he was one of the first of the hardy freethinkers who, under the tolerant rule of Richelieu and Mazarin, gave clear voice to the newer spirit. Under any other government, he would have been in danger of his life: as it was, he was menaced with prosecutions; his Agrippine was forbidden; the first edition of his Pédant joué was confiscated; during his last illness there was an attempt to seize his manuscripts; and down till the time of the Revolution the editions of his works were eagerly bought up and destroyed by zealots. [572] His recent literary rehabilitation thus hardly serves to realize his importance in the history of freethought. Between Cyrano and Molière it would appear that there was little less of rationalistic ferment in the France of their day than in England. Bossuet avows in a letter to Huet in 1678 that impiety and unbelief abound more than ever before. [573]