Enquire within upon everything by Robert Kemp Philp

A drawing room with folded doors is the best for the purpose. Various household appliances are employed to fit up something like a stage, and to supply the fitting scenes. Characters dressed in costumes made up of handkerchiefs, coats, shawls, table-covers, &c., come on and perform an extempore play, founded upon the parts of a word, and its _whole_, as indicated already. For instance, the events explained in the poem given might be _acted_--glasses might be rung for bells--something might be said in the course of the dialogues about the sound of the bells being delightful to the _ear_; there might be a dance of the villagers, in which a _ring_ might be formed; a wedding might be performed, and so on: but for _acting charades_ there are many better words, because _Ear-ring_ could with difficulty be _represented_ without at once betraying the meaning. There is a little work entitled "Philosophy and Mirth united by Pen and Pencil," and another work, "Our Charades; and How we Played Them," [1] by Jean Francis, which supply a large number of these Charades. But the following is the most extensive list of words ever published upon which Charades may be founded: [Note: hyphen added to Art less, Bar rack] [Footnote 1: "Philosophy and Mirth, united by Pen and Pencil," One Shilling. "Our Charades; and How we played Them," by Jean Francis, One Shilling. Both published by Houlston and Sons, Paternoster Square, London, EC.] [A FOOL'S BOLT IS SOON SHOT.]