The Palace and Park by Phillips, Forbes, Latham, Owen, Scharf, and Shenton

1749. But in 1793, Malone officiously had it whitewashed, as it now

exists. There is a great resemblance between this face from the Stratford monument and the portrait published in the first folio of Shakspeare’s works, by the actors, in 1623. No. 407A is from a very remarkable terracotta bust, in the possession of Professor Owen, of the College of Surgeons. It was discovered in pulling down the old Duke’s Theatre in Lincoln’s Inn Fields, where it was placed over one of the stage-doors, the bust of Ben Jonson (accidentally destroyed by the workmen) occupying a corresponding place over the other door. Shakspeare having been rescued by the timely interposition of Mr. Clift, Professor Owen’s father-in-law, the bust became that gentleman’s property, and by him it was given to its present owner. There are two types of the Shakspeare portrait: the “round-faced,” as seen in the monument of Stratford-on-Avon, and the “oval-faced” of Cornelius Jansen. Roubilliac’s bust, and that in the possession of Professor Owen, are after Jansen. No. 407B is the bust by Roubilliac. The statues by Roubilliac and John Bell (see Handbook of Modern Sculpture, Nos. 56 and 9) are conventional, and represent the two types.] 407A.} } WILLIAM SHAKSPEARE. _Poet._ 407B.}