The Palace and Park by Phillips, Forbes, Latham, Owen, Scharf, and Shenton

2. CUBICULUM. The next chamber, forming one corner of the quadrangle,

and lighted by a window in the outer wall, has also a white coved ceiling. The upper part of the walls is white, the dado black, and the remaining interval blue. Three graceful female figures floating in separate panels are Bacchantes; they have no wings. The picture surrounded by blue opposite the door, represents a sitting Endymion; he holds a branch in his right hand, and a staff leaning on his left shoulder; the drapery is pink; at his feet a stag,[57] with horns and blue collar, may be regarded as the emblem of Diana, whose favourite he was. (See Greek Court, No. 33). The background is composed of rocks with a square tower in the centre. The subject of Endymion was a very favourite one among the Pompeians. He was sometimes represented, as here, entranced awaiting the arrival of the goddess, at other times sleeping, and the goddess gazing upon him, with his dog starting in surprise at the visitor. Not unfrequently a Cupid is introduced leading Diana by the hand, holding a whip, as if she had just descended from her chariot of night. Whenever the goddess is present Endymion is always represented asleep. On the wall next the door facing the other picture is a square painting of Venus fishing. She sits on a rock on the right hand side, her yellow hair bound with a myrtle wreath, the lower part of her figure enveloped in green drapery; a fish has attached itself to the line of the rod which she holds in her right hand, and Cupid with blue wings, sitting on a rock across the water, expresses great joy at his mother’s success, which is evinced by his lively action. A piece of red drapery upon which he kneels adds greatly to the harmony of the picture. This subject of Venus angling is also frequently repeated; sometimes Cupid holds the fish basket, and in other cases he angles also. (See cubiculum 15.) [57] On a closer examination I perceive that the animal is wounded, and the picture therefore represents Cyparissus, who killed a favourite stag by accident, and was transformed into the cypress. The picture is mentioned by Mr. Falkener (page 51).